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Posts Tagged ‘Digital Photography’

Is There a Digital SLR in Your Future

November 19th, 2008

If you haven’t been to an event or function that is geared around kids recently, it’s pretty dramatic how many digital SLR’s are being carried around by mom and dad. I was at Remlinger Farm on a recent beautiful Saturday (one of the few in October) and was struck by how many black-bodied digital SLR cameras people had.

I already know that when you are dealing with taking pictures of children a D-SLR is the way to go.  The P&S market is saturated with so many models available and most consumers already own one. Now that prices on the D-SLR’s are coming down it makes more sense to move up to one.

Here is an article from PCWorld Magazine that details the current market conditions.

Benefits Of A DSLR

The benefits are many:

  • Fast focusing
  • Short shutter lag
  • Many lenses to choose from
  • Extended flash capabilities

Throwing Hay

The image to the right utilizes three of the four advantages. With fast focusing I’m not having to wait to capture the scene. With the short shutter lag I can anticipate the moment I want and press the shutter and don’t have to wait.  My lens was selected for it’s nice zoom range allowing me to not have to be in the kids face to get a decent close up (and keeps the hay out of the camera).

What About The Lens

With those benefit comes many questions, mostly around lenses. Nikon, Canon and Sony all have a huge array of lenses that can be put on their cameras. Knowing which one(s) to buy can largely be a matter of price. Since most people aren’t professionals the higher end lenses are out of reach financially (normally) and don’t make a lot of sense unless you just want the best equipment.

When I am photographing my kids I almost always use my 28-70mm zoom. It provides a nice range for being able to come in a bit closer to the subject when necessary, but still has a decent wide angle. Since my camera is a full-frame sensor Canon 5D, I don’t have to worry about the smaller imaging sensor size.

Don’t Forget The Crop Factor

Most consumer level D-SLR’s have an imaging sensor that isn’t quite the same size as a full-frame of 35mm film. This means that when using a lens made for a full-frame camera the image will be cropped. All cameras with a smaller sensor size will give you a “crop factor” or “multiplier” to give you an idea of how a lens will function. Most are in the 1.4x to 1.6x range.

If we do the math on my 28mm-70mm zoom, the low end on a 1.5x crop factor camera would be 28mm * 1.5 = 42mm. This means a 28mm lens on the camera would look like a 42mm lens. On the higher end we get 70mm * 1.5 = 105mm. This is most critical in the wider angle lenses because you don’t get the full benefit of the lens. To get an equivalent of a 28mm lens on a 1.5x crop factor camera you would have to find an 18mm lens.

Selecting the right lens, or lenses, is the most difficult part of a DSLR decision.  It pays to really figure out what kind of photographs you will be taking, and to figure out which lens is going to be the best fit.

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Give a Four Year Old a Camera….

July 17th, 2007

My four year old son likes to take pictures.

He was pretty adept at using our Canon PowerShot S410 before it died. He now likes to use our Canon Rebel XT. This is our “family” camera that we use when taking most pictures of the kids around the house. It’s small, and with a 50mm lens attached, very light. Not a pocket camera, but it also doesn’t suffer the lag that most point-and-shoot models have. When the camera is on full-auto mode it exposes well under most circumstances and is easy to use by the non-camera people in the household.
Every so often my son will pull off a nice shot like the one below.

It just shows you how good digital cameras have gotten. With a quick focus and proper exposure they can produce very nice results (and not a bad composition either). Of course having the right lighting always helps.
That being said digital cameras can also produce not-so-good results. When the lighting isn’t right for the exposure setting on the camera, the results can be less than appealing. The trick is in knowing how your camera handles the difficult situations and what to do about them.
Backlighting is always a tough exposure for a camera. Most cameras are going to be left in their default metering mode which usually takes the entire scene into account when trying to determine the proper exposure. With a bright background the camera is going to try to find an exposure that will show the background properly, leaving your foreground subject very dark.
Knowing this you can do one of two things. 1) switch the camera to spot-metering if possible. This will tell the camera to judge proper exposure off of the center of the scene, most likely the subject you want to be exposed properly, and to not worry about the background. 2) Add some fill-flash. If your camera has an on camera flash, make sure it is set to on and take the picture. The camera will use the flash to bring up the light level on the foreground subject to approximately the level of the brighter background.

Most point-and-shoots will not use the flash for a backlit scene, so it is important to know how to set your cameras flash to On rather than Auto. The picture above is a perfect example of a backlit scene. The kids are entirely within the shadow but the fence behind is in direct sunlight. Without the fill-flash the shadowed area would have been very dark.

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